The Home of Folk Music and it's Festivals

Great Folk Music Starts Here

The Home of Folk Music  

The Home of Folk Music and it's Festivals

Enter your e-mail address to receive our monthly newsletter full of humour, news and updates.
Promoters and organisers enter your address here.


Folking.com Home
Folking.com Live
Link To Us


Album Reviews
Competitions

Gig Reviews
Interviews
Movies
MP3 Article Section
Photo Galleries
Photo of the Month
Recommended Events


Shop On-Line


Bulletin Board
Classified Ads
Downloads
Events Diary
Folk Database


Contact Us
Terms of Use



The Eliza Carthy Interview


Website | Album Reviews | Unofficial Website

Back to interviews.

Q. Who's been your greatest musical influence and why?

A. This probably sounds crass, but my Dad and Mam, and they unwittingly influenced my choices when I was young and those things stuck with me in a big way. There are still things that I haven't yet listened to because they thought it wasn't worth it- since Dad and Paul Simon made up, I suddenly realised I had so much of that to catch up on because I always avoided him out of solidarity! The people I discovered very early on who haven't left me are people like Bob Dylan, Lisa Ornstein, Ani Difranco, Walter Pardon, Little Feat, Ian Dury, Queen, Ry Cooder, Sheila Stewart, Boney M... you can never pinpoint who influences your music unless you are in a tribute band, it depends how you feel when the question is asked I reckon. Chris Wood influenced my fiddle playing to start with then Nancy Kerr did. Julie Murphy influences me every time she opens her mouth to sing.

Q. If you could be one person in history who would you be and why?

A. I think it would be interesting to have been Mozart, just to know what it feels like to have all that music going on in your head all at once. Same for Shakespeare and words.

Q. Where do you think the future of the Music Industry lies?

A. I don't know if it does have a future. I would hope it lies in decompartmentalisation (is that a word? Seems awfully long. Spellchecker doesn't think so!). The problem for the music industry is everyone being interested in everything at once when they want nice easy age-related consumer groups. Ugh. It may end up being an industry aimed solely at children, which is a horrible thought, or it might end up that we could all rely on what we find from the myriad of labels available; i.e. the music, instead of the label, is what draws you. Fancy that! It'll never catch on.

Q. What is your favourite movie and why?

A. The Matrix comes pretty close, but I saw Memento recently. Hmm...Blade Runner? Not Harry Potter. Night of the Hunter. Don't know. The South Park film. I like films that make you care about the characters, whether you like them or not. Morpheus is starting to get on my nerves a bit.

Q. Can you tell me about the new Album?

A. The old new album or the two new new albums? Angels and Cigarettes is the manifestation of three years of work and six years of growing up; as such it goes through a lot of stuff (self-penned this time as opposed to the trad): some self- reconstruction, some exhaustion and frustration, some relief (aah...)! Musically it is mostly strings and voice with guitar and drums live and programmed. There are some quite epic arrangements and the whole thing is extremely lush. Van Dyke Parks did one orchestral arrangement and one for string quartet and I did the rest of the strings on the album with Ben Ivitsky. I like it, I am really proud of it.

The other two are traditional albums. Waterson:Carthy has a new album coming out in the next couple of months on Topic. We have a new accordion player (Tim van Eyken) and he gets a song too! It's quite dark. The other is an album called "Dinner" with Martin Green who plays piano accordion and keyboards in my band and trio. I did the research, Martin did a lot of arranging, there are lots of three-time tunes, 9/4, 6/4, 3/2, and some of our own compositions. Eddi Reader sings on one song and there is some beatbox from a lad called JC-001 who performs with Nitin Sawnhey. I hope to put it out on my own label, Heroes of Edible Music, very soon. Whichever of these comes out first will be my tenth album.

Q. Where was your most memorable live performance?

A. I have been lucky to play in some truly amazing places. The Getty Museum in Los Angeles was one of the best, although my performance was short, as part of the Harry Smith Anthology of American Folk Music concerts. It was a full house I got to play for Elvis Costello and Kate and Anna McGarrigle in the same song, and then Richard Thompson, watched Van Dyke singing to his own string arrangement from the side of the stage. I was so nervous for my one song, but Ben and I managed to pull it off.

There was also the top-off concert in Belgium, but we don't want to go into that.

Q. If you could use one of your songs to promote something, which one would you choose and why?

A. I would hate for one of my songs to be used for a car advert or something like that. I wanted to do a fish advert once but I didn't get the part.

Q. When you are not involved with the band what do you spend your time doing?

A. Sitting on the computer answering questions...watching films, playing the fiddle, trying to remind my friends who I am! Cooking, drinking whisky, sleeping, playing Boggle.

Q. Any venues that you haven't played that you would like to play?

A. The Taj Mahal. Is it a venue? I wish it were.

Q. If you could sit to anyone famous at a Dinner party who would it be and what would you ask them?

A. Peter Gabriel. Can I have a million quid to start an English roots music label please?

Q. What was the first single you ever bought?

A. Bad Manners' "Walking in the Sunshine".

Q. What luxury would you take with you to a Desert Island (Normal means of life was provided and you were allowed an instrument).

A. A nice man, or pen and paper maybe. An aeroplane!!!!

Q. What's your favourite track or Album that you have written?

A. My favourite things I have written are a song called "Fuse" from the last album and a tune called "Game of Draughts" from Rice.

Q. If you could be remembered for one thing what would it be?

A. I was going to say I would like to be remembered for helping the English realise that their ancient culture is a valid one but that isn't true, I would like anyone to be remembered for that. I would like to be remembered as a good musician and a nice person.

Q. What is the most embarrassing thing that has happened to you on stage?

A. I am afraid it's a bit biological to say. Thankfully I have never fallen over although it has come close a few times.

Read another interview

Website | Album Reviews | Unofficial Website

The Folkmaster 2002